A23D, Letterpress alphabet, 2014
New North Press, London
Art Direction, bespoke typefaces and design
Watch film here



Moscow Sans – A custom typeface in 4 grades + a set of 40 unique pictograms, 2014
City ID + Moscow Department of Transport, DOT
Additional credits: Art directed and designed by A2-TYPE, Scott Williams & Henrik Kubel
with Margaret Calvert as type and pictogram consultant.
Cyrillic Script designed in collaboration with Ilya Rudermann.
Product design by BillingsJackson



Reflecting Home, Laura Stamer, 2015
Laura Stamer, Copenhagen
Art Direction, bespoke typeface and design






Aperture Magazine, redesign, 2013
Aperture Foundation, New York
Art Direction, bespoke typefaces and design


 A2/SW/HK + A2-TYPE
London, UK
T +44 (0)20 7739 4249
info@a2swhk.co.uk




BIBLIOGRAPHY
Magazine B, Helvetica, #35, 2015, p.71
Pen, with New Attitude, #270, 2014, p.74
Page, December 2014, pp.8—9
Page, October 2014, p.56
Creative Review, January 2013, pp.56—62
Creative Review, November 2012, p.21
Page, October 2012, pp.65—66
Slanted 18, Summer 2012, p.56
IDN 82, vol. 19, No2, pp.77—81
Eye Magazine 82, vol. 21, Winter 2012, Guest typeface(s) + p.70
Eye Magazine 79, vol. 20, Spring 2011, Guest typeface
Wallpaper*, June, 2011, p.28, 37, 59, 104, 110, 141
GRAFIK, Volume 1, Issue 193, 2011, p.97 & p.99
GRAFIK, Volume 1, issue 191, 2011, p.109 & p.111
FORM, Nordic Architecture and Design Since 1905, issue 5, 2011, p.16
étapes, design et culture visuelle, e:198, p.30
Monocle, October 2011, Issue 47, Volume 05, p.171
Creative Review, April 2011, p.65
Creative Review, May 2011, p.22
Creative Review, February 2011, p.48
Creative Review, December 2010, p.11 & p.20
Showroom, Novum, World of Graphic Design 12/11, November 2010, pp.64—69
+81, European Graphic Issue, VOL. 49 / Autumn 2010, pp.20—27
Process is the Project, AGI Porto 2010, pp.114—115
Idea, 343, October 2010, pp.146—149
Idea, 340, May 2010, pp.9—12
Idea, 340 — Supplement, May 2010, pp.6—7
Graphic Magazine, Issue 13, Spring 2010, pp.99—102
It's Nice That, Issue 3, 2010, p.97
Creative Review, May 2009, p.19
Typografi: Rail, Britanica, Arkitektur M, Vol. 1 Nr. 2, 2009, pp.20—21
Eye Magazine 71, vol. 18 Spring 2009, pp.46—49
A—Z of Typography, letter X, Grafik, Issue 171, March 2009, p.75
Print Magazine, USA, February, 2009
Showcase, Grafik, July 2008, p.30
Eye Magazine 67, vol. 17 Spring 2008, pp.54—63
Louisiana Magasin, nr. 28 June 2008, pp.58—59
Review Books, Art World, February/March 2008, p.118
Case Study, Grafik, March 2008, pp.36—39
Grafisk Design i London, AGI, January 2008, pp.26—29
First Sight, Creative Review, February 2008, p.3 & Showcase, p.32
Reviews, 'Essential on every level' by Rick Poynor, EYE, Issue 66, Vol.17 Winter 2007, p.85
News, In Brief, Design Week, December 2007, p.5
Typografik, Grafik, Issue 150, April 2007, p.86
Graphic Design, Books and Magazines, The Howard Smith Paper Graphic Design and Print Awards 01 (2007), pp.6—9
Design Report, Living Design, Nr.1, 2007, pp.59—61
Branded Packaging, Design Week Awards 2007, February 2007, p.80
Letterpress, Design Week, February 2007, pp.16—17
2006 Review, Grafik, Issue 147, December/January 2007, p.45
ADG-FAD, 2005—2006, Report
TypoGraphic 65, The advertising Issue, June 2006, p.8
Newspaper, Food, Wallpaper* Issue 91, September 2006, p.181
Typo_Showcase, Grafik, Issue 141, June 2006, p.70
British Design – KAK, Design Magazine N3 (35) Russia, 2005, pp.12—19
'Talent 100', Berlingske Nyhedsmagasin, Sølvnummer, Nr. 11, March/April
Essay/Theory, 'Part of the process' by M. Parrinder and C. Davies, EYE, Issue 59, Vol.15 Spring 2006, pp.18—19 & p.23
Special Report — Art, Grafik, Issue 137, February 2006, pp.56—59
Creative Survey, Design Week, December 2005, p.13
Print — European Design Annual, May/June 2005 pp.129—130
First Sight, Creative Review, December 2005, p.11
Typo_Grafik, Grafik, Issue 133, October 2005, p.78
First Sight, Creative Review, October 2005, p.10
Essay / Letterpress by Steve Rigley, EYE, Issue 57, Vol.15 Autumn 2005, p.41 & Reviews section, p.78
Showcase, Grafik, Issue 131, August 2005, p.19
Il panorama delle riviste nel Regno Unito, Artlab, Issue 16, Casestudy, p.28
Showcase, Creative Review, July 2005, p.32 & showcase (Type) pp.36—37
Showcase, Grafik, Issue 130, July 2005, p.17
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ISTD Awards, Grafik, Issue 127, March 2005, pp.50—51
XFUNS, No. 15, 2005, Studio Profile, pp.2—9
Best of 2004, Graphic Design, Typefaces, Magazines, Grafik, Issue 125, January 2005, p.34, p.47 & p.53
+81, Plus Eighty One, Vol. 26/Winter 2004, Typeface + Graphic Design, Japan, pp.38—41 & pp.82—83
Navnestuff, Kunstuff, Issue 4, December 2004, p.35
Showcase, Grafik, Issue 124, December 2004, p.10
Inspired, Design Week, 2nd December 2004, p.10
Creative Survey, Design Week, November 2004, p.18 & p.25
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Showcase, Grafik, Issue 115, March 2004, p.10
First Sight, State of type, Creative Review, March 2004, pp.14—15
Arts & Culture, Creative Review, January 2004, p.32
Type Cast, Grafik, Issue 114, February 2004, pp.36—37
Vox Pop, Design Week, 18th December 2003, p.13
Consort Royal, Profiles, December 2003, p.5, p.10, p.31 & p.36
Consort Royal, Grafik, Issue 112, December 2003, p.42
Showroom, Novum, Issue 11, 2003, pp.70—75
Designmatters, Danish Design Centre, Autumn 2003, pp.14—17
Showcase, Creative Review, October 2003, p.35
The Light Side of The Danes, Communication Arts, Interactive Annual 9, September 2003, p.41 & p.45
Typography, Grafik, Issue 109, September 2003, pp.44—45
Viewpoint, Graphics International, Issue 106, June 2003, p.54
Print — America’s Graphic Design Magazine, May/June 2003 LVII:III, pp.90—91 & p.111
Word Association, Design Week, 22nd May 2003, pp.16—17
DNA, Lab 05, Spring/Summer 2003, pp.42—43
The Annual 2003, Creative Review, April 2003, p.29 & p.73
Showcase, Graphics International, Issue 104, March 2003, p.13
Showcase, Graphics International, Issue 102, January 2003, p.10
Rum & Form, Issue 4 December 2002 p.67
Print — America's Graphic Design Magazine November 2002, p.69
Big Mouth, Graphics International, Issue100 November 2002, pp.36—37
Back to Basics, Graphics International, Issue 98 September 2002, pp.18—19
Consultancy Profile, Graphics International, Issue 96 June 2002, pp.12—15
New Design, Creative Review, June 2002, pp.8—9
Object Lessons, Ampersand, 15 May 2002, pp.12—13
New Design, Creative Review, February 2002, p.10
New Type Design, Creative Review, January 2002, p.10
My First, Ampersand, November 2001, p.20
New Design, Creative Review, October 2001, p.11
DVD/CD-ROM, Creative Review, June 2001
Letterpress at the RCA, Baseline, No 33 May 2001, p.11
125 år — Danmarks Designskole, Rum & Form, May 2001, p.66
Showcase: Design, Zoo Magazine, issue 8 2001, p.296
What's New in Type Design, Creative Review, April 2001, pp.12—13
Monitor, Creative Review, January 2001, p.21
Creative Futures, Creative Review, December 2000, p.46
The 6th International Poster Triennial in Toyama, IDEA – International Graphic Art, Issue 09 2000, p.138
The Shows: Part Two, Creative Review, Septemtber 2000, p.72
What's New in Type Design, Creative Review, March 2000, pp.14—15
'Ignore This Magazine', Dansk Kunsthåndvaerk/Danish Crafts, March 2000, pp.16—19

PUBLICATIONS
Marian Bantjes, Pretty Pictures, Thames & Hudson 2013, pp.173, 194+195
INDIA, Contemporary Design, V&A Publishing 2015, p.152—153
D&AD Annual 2014, p.484
Typography 35, The Annual of The Type Directors Club, Collins Design, Harper Collins Publishers, p.282
Typography 34, The Annual of The Type Directors Club, Collins Design, Harper Collins Publishers, p.192
Celebrate TDC, Honoring the Sixty-Fifth Anniversary of The Type Directors Club, NYC, TDC, p.48
Codex 3, The Journal of Letterforms, Summer 2013, J. Boardley, p.43
AIPS 2012, Aarhus International Poster Show, Dansk Plakatmuseum, p.60
Graphic Design Process – From problem to Solution, Nancy Skolos and Thomas Wedell, Laurence King Publishers, pp.4—9
Typography 33, The Annual of The Type Directors Club, Collins Design, Harper Collins Publishers, p.41
Circular Seventeen, Typographic Circle, pp.1—6
Graphic Design: Now in Production, Walker Art Center, Cooper-Hewitt National Design Museum, p.114 & p.129
AGI Congress 2011, Barcelona, Modular, AGI Barcelona 2011, pp.134—135
Basics Typography 02, Using Type, AVA Academia, pp.78—79 & pp. 112—113
Not for sale, Promo only, Viction:ary, pp.204—205
Type Navigator, The Independent Foundries Handbook, Jan Middendorph & TwoPoints.Net, Gestalten, pp.12—17
Typography 32, The Annual of The Type Directors Club, Collins Design, Harper Collins Publishers, p.53 & p. 167
AGI Porto, Process is the project, AGI Porto 2010, p.114
Moscow International Biennial of Graphic Design, Golden Bee 9, 2011, no. 250, p.83
igdb, 6th Ningbo International Graphic Design Biennale, Exhibition catalogue, Ningbo Art Museum, China, 2011, pp.172—177
Typography 31, The Annual of The Type Directors Club, Collins Design, Harper Collins Publishers, p.43
Limited Language: Rewriting Design, Responding to a feedback culture, Colin Davies, Monika Parinder, Birkhäuser, p.144
Vivid! The Allure of Colour in Design, Sandu Publishing Co., pp.194—195
Paul Shaw — Helvetica and the New York City Subway System, Blue Pencil Editions, p.22
Typography, Unity with New Life, bt'09 — Beijing Typography 2009, CAFA Art Museum, China, 2009, pp.41—48
ISTD — 2009 International Typographic Awards, ISTD, pp.42—43, p.66, p.67, p.82 & p.83
Letterforms Collected, Grafik Publishing, pp.50—51
Graphis Posters Annual 2010, 1 poster selected, p.32
Royal Mail Special Stamps 2008, Royal Mail 2009, pp.4—5
ADI Design Award, Graphic Design Annual, 2008, pp.8—27
zgraf 10, 2008, Review, Visual Identity, p.97
: out put, Wenn ich mal groß bin... One day after I have grown up... 2008, pp.31—37
Logo, Laurence King Publishing 2007, p.101, p.127, p.293, p.330 & p.331
07 Biennalen for Kunsthåndværk og Design, 07 Biennale for Crafts and Design, Trapholt Museum og Koldinghus 2007, pp.52—53 & p.120
f30, 30 Essential Typefaces for a Lifetime, ROC, Long Sea International Book Co / Rockport Publishers 2007, pp.176 —177
New Typographic Design, Laurence King, 2007, p.14, p.34, p.50, p.54, p.62, p.84, p.85, p.92 & p.155
The Rise and Fall of the Poster, Street Talk, M. Frost, A. Lewis & A. Winterburn, Images Publishing. pp.36—39
Graphis Logo Design Annual 2007, 1 logo selected, p.75
Graphis Posters Annual 2007, 3 posters selected, p.120 & p.237
Graphis Posters Annual 2006, 2 posters selected
87, Ellery/Browns, p.25 & p.52
What is Typography, RotoVision, p.47 & pp.154—159
Experimental Formats 2, RotoVision, p.30, p.49, p.59 & p.73
Print and Production Finishes for Brochures and Catalogs, RotoVision, p.109 & p.125
20th International Poster Biennale in Warsaw 2006, The Poster Museum at Wilanów, p.109 & p.110
S-Book, 2006, Interviews with typographers, pp.92—97
Finn Nygaard with Friends, 2006, pp.58—59
The 2nd Korean International Poster Biennale, Cultural. p.95
D&AD Annual 2005, Editorial and book design 226, Environmental design & Architecture p.421
Poster Collection — Handmade, Museum für Gestaltung Zürich Plakatsammlung, Lars Müller Publishers, 2005, p.11 &, pp.42—43
Graphis Posters Annual 2005, 3 posters selected
Gniezno Encounters with the Poster, The 6th Encounter: Denmark, The Danish Poster from the collections of the National Museum in Poznán, Poland, 2004, p.26, p.53, p.92 & p.93
D&AD Annual 2004, p.270
International TypoGraphic Awards 2004, ISTD 2004, pp.16—19, pp.28—29, pp.38—39, p.58 & p.63
Business Cards, The art of saying hello, Laurence King, 2004, p.34, p.96, p.97 & p.252
It's a matter of Editorial Design, Viction:ary, 2004, pp.63—65, pp.158—159, p.163, p.182
26 Letters, Illuminating the Alphabet, Cyan, 2004, pp.90—93
Letterpress, Rotovision, 2004, pp.12—13, p.16 & p.138
New book design, Laurence King, 2004, p.29, p.65 & p.113
All Messed Up, Unpredictable graphics, Laurence King, 2004, pp.30—31
Theatre Poster Category, Graphis: Posters Annual 2003, p.234 & Typography pp.242—243
Design Week Awards 2004, Temporary Exhibition Design, Editorial Design, Posters, Design Week, 2004, p.37, p.64 & p.71
Graphic design, Environmental — Museum Exhibit, The Art Directors Annual No.82, 2003 p.339
Typography 24, The Annual of The Type Directors Club, Harper Design International, p.80 & p.208
D&AD Annual 2003, p.260 & p.286
Letterhead & Logo Design 8, Rockport Publishers 2003, p.28 & p.173
Chaumont 03, 14E Poster Festival International, De l'Affiche Et Des Arts Graphiques, Paris 2003. p.60 & p.88
The New Handmade Graphics — beyond digital design, Rotovision 2003, p.29, p.107, p.110, pp.144—45
Catalogs, Communication Arts — Design Annual 43, November 2002, p.89
D&AD Annual 2002, p.147, p.154 & p.243
GB: Graphic Britain, Laurence King, 2002, pp.10—15
Graphis, Poster Annual 2002, Typography, pp.246—247
100 Graphics International, Graphics International, p.178 & p.179
Consort Royal, Profiles, Graphic design and Print Awards publication, p.10 & p.12
Graphis, New Talent Design Annual 2002, Commentary, pp.8—9
North By North: Scandinavian Graphic Design, Die Gestalten Verlag, 2002, pp.50—51, p.141 & p.149
Type 1: Digital Typeface Design, Laurence King, 2002, p.31, p. 53 & p.153
Transmission 02: Utopia, 2001, pp.156—157
Graphic Design — Books, The Art Directors Annual No.80, 2001 p.254
Graphic Design, British Design & Art Direction Annual, 2001, p.273
Premier Awards: Posters, Stationary, Certificates of Excellence: Catalogues, Posters, International TypoGraphic Awards 2001,
International Society of Typographic Designers, 2001
Specials — New Graphics, Booth-Clibborn, November 2001
Catalogs, Communication Arts– Design Annual 42, November 2001, p.58
Danish Design Centre, The Danish Design Prize 2001, 2001, p.34
Restart: New Systems in Graphic Design, Thames and Hudson, 2001, pp.24—25
Contemporary Design Projects, Danmarks Designskole 1875—2000, 2000, pp.114—115
Communication Art and Design, The Royal College of Art Show 2000, 2000, p.103 & p.114
Theatre Poster Category, Graphis: Posters Annual 2000, p.235
Student Graphic Design — Posters: Promotional, The Art Directors Annual No.79, 2000, p.446 & pp.490—492
Poster Category, Input Output 03 — International Yearbook for awarded works of Graphic Design Students, 2000
Poster Category A, The 6th International Poster Triennial in Toyama, 2000, p.66
Student Awards, British Design & Art Direction Annual, 2000, p.613
Applied Graphic Design, British Design & Art Direction Student Annual, 2000, p.88
Interactive Design, British Design & Art Direction Student Annual, 1998, p.81

EXHIBITIONS
TDCNY, Type Directors Club New York, Annual Touring Exhibition, 2013
TDCNY, Type Directors Club New York, Annual Touring Exhibition, 2012
AIPS 2012, Aarhus International Poster Show, Dansk Plakatmuseum
23rd International Poster Biennale in Warsaw (2 posters accepted), The Poster Museum at Wilanów, 2012
Graphic Design: Now in Production, Walker Art Center, Cooper-Hewitt National Design Museum, 2012
Wim Crouwel – A graphic odyssey, Design Museum London 2012
AGI Barcelona, Modular, Vinçon, 2011
Moscow International Biennial of Graphic Design, Golden Bee 9, 2011
TDCNY, Type Directors Club New York, Annual Touring Exhibition, 2011
igdb, 6th Ningbo International Graphic Design Biennale
TDCNY, Type Directors Club New York, Annual Touring Exhibition, 2010
21st International Poster and Graphic Design Festival of Chaumont, from May 29th to June 20th, 2010 at the Entrepôt des Subsistances, Chaumont, France
DRAW: Turning Thoughts into Lines, an exhibition which celebrates the importance of drawing across all disciplines, Royal College of Art, 2010
bt'09 — Beijing Typography 2009, CAFA Art Museum, China, 2009
The London Design Festival — 'LONDON' Posters, Curated by Domenic Lippa, Pentagram & Sir John Sorrell, The Sackler Centre at the V&A Museum, 2009
XXI International Poster Biennale in Warsaw (1 poster accepted), The Poster Museum at Wilanów, 2008
Chaumont 07, 18E Poster Festival International, De l'Affiche Et Des Arts Graphiques, Paris 2007
Biennale for Kunsthåndværk og Design, Trapholt Museum, Koldinghus, 2007, Denmark
Retrospective exhibition, Homage á Henryk Tomaszewski, Competition exhibition, 29.09—29.10.2006 (3 posters accepted), The Poster Museum at Wilanów, 2006
20th International Poster Biennale in Warsaw (2 posters accepted), The Poster Museum at Wilanów, 2006
Finn Nygaard with Friends, Kunstindustrimuseet, Danish Museum of Art & Design, 9 December — 5 February 2006
Poster Collection – Handmade, Museum für Gestaltung Zürich Plakatsammlung, 2005
Use it! — Danish Design 2005—1905, World Expo, Tokyo and Nagoya, Travelling exhibition, Japan 2005, CPH 2006
The 2nd Korea International Poster Biennale, 6 posters selected, Korea, 2004
Gniezno Encounters with the Poster, The 6th Encounter: Denmark, The Danish Poster from the collections of the National Museum in Poznán, Poland, 2004
Z-GRAF 9, Zagreb, Croatia, 2004
Danish Design Prize, Danish Design Centre, 2004
Emerging Designers, Graphic Europe, Berlin, September 2004
26 letters— Illuminating the Alphabet — ISTD, 26 & British Library, London Design week 2004, British Library
Danish Posters — over the past 10 years, Selected by The Danish Design Centre, Ginza Graphic Gallery, Tokyo
& DDC Gallery, Osaka, 3 — 26 Juni 2004
TDCNY, Type Directors Club New York, Annual Exhibition, 2004
Concours posters from the Poster Festival of Chaumont, Affiche, Dutch Poster Museum, Holland, 4 Oct — 1 Dec, 2003
Scandinavian Design Beyond The Myth, Travelling exhibition, Berlin, Prague, Milano, USA,
Glasgow, Göteborg, Riga, Oslo and Copenhagen, 2003— 06
Plakatsammlung and exhibition, November 2003, Museum für Gestaltung Zürich
Chaumont 03, 14E Poster Festival International, De l'Affiche Et Des Arts Graphiques, Paris 2003
Emerging Designers, Graphic Europe, Barcelona, March 2003
TDCNY, Type Directors Club New York, Annual Exhibition, 2003
ADCNY, Art Directors Club New York, Annual Exhibition, 2003
1st Korean International Poster Biennale, Korea 2003
Danish Design Prize, Danish Design Centre, 2003
Danish Design Prize, Danish Design Centre, 2002
GB, Graphic Britain, Magma Gallery, London Oct—Nov 2002
ADCNY, Art Directors Club New York, Annual Exhibition, 2002
D&AD Annual Show 2002, Annual Exhibition, 2002
Reflect: D&AD Annual Show 2001, Royal College of Art, Oct 2001
ADCNY, Art Directors Club New York, Annual Exhibition, 2001
Lost and Found 2, British Council touring exhibition, Kulturhuset Stockholm, Feb—June 2001
Creative Futures, Creative Review annual exhibition, Roundhouse London, Nov 2000
ADCNY, Art Directors Club New York, Annual Exhibition, 2000
The 6th International Poster Triennial in Toyama 2000
The Show, Royal College of Art, London, June—July 2000
Wash up time, Royal College of Art, The Hockney Gallery, 2000
Poster Exhibition, Royal College of Art, The Blue Room, 2000

AWARDS
D&AD Global Awards 2015, Graphite Pencil Award (Moscow Sans + Pictogram system)
D&AD Global Awards 2015, Graphite Pencil Award (Aperture Magazine)
Knud V Engelhardt Memorial Award 2015, Design Museum Denmark
Type Directors Club of New York, 2015, Typeface Design Award (A23D Alphabet)
Tokyo Type Directors Club, 2015, Type Design Prize (The Independent Newspaper fonts)
D&AD Global Awards 2014, Yellow Pencil Award (The Independent Newspaper fonts)
Type Directors Club of New York, 2014, Typeface Design Award (Amplify brand typeface)
Type Directors Club of New York, 2013, 1 Certificate of Typographic Excellence
Tokyo Type Directors Club, 1 entry in annual, I Can't Draw Animals film
Tokyo Type Directors Club, 2 entries in annual, Antwerp typeface + A2-TYPE typeface specimen
Graphis Poster 2012, 3 Gold Awards
Type Directors Club of New York, 2012, 1 Certificate of Typographic Excellence
Letter2 (ATypi 2011), Winner: New Rail Alphabet
Type Directors Club of New York, TDC57, 2011, 2 Certificates of Typographic Excellence
Granshan International Type Design Competition, 3rd prize in the Display Category (Zadie typeface), Armenia, 2010
Type Directors Club of New York, TDC56, 2010, 1 Certificate of Typographic Excellence
Granshan International Type Design Competition, 1st prize in the Display Category (Vogue Floral typeface), Armenia, 2009
ISTD — 2009 International Typographic Awards 2009, 1 Premier Award & 4 Certificates of Excellence
D&AD, Design & Art Direction, 2009 Annual, in book x 2
Graphis Poster 2010, 1 Gold Award
Tokyo Type Directors Club, 2009 Annual, in book x 1
 LAUS 08, ADG FAD, Nomination
Z-GRAF 10, Croatia, Honorable Mention
ADI Design Awards 2007, Art & Design Institute of China Academy of Art, ADI Achievement Award
Tokyo Type Directors Club, 2008 Annual, in book x 2
Kraszna-Krausz Photography Book Award, Kraszna-Krausz Foundation and the National Museum of Photography, Film & Television, Bradford, 1 Nomination
Graphis Logo Design 7, 2007, 1 Gold Award
Graphis Poster 2007, 1 Platinum Award & 1 Gold Award
The Howard Smith Paper Graphic Design and Print Awards 01 (2007), Winner, Graphic Design, Books and Magazines
Design Week Awards 2007, Branded Packaging, Commended, Nørrebro Bryghus
AIGA, American Institute of Graphic Arts, 50 best covers of 2006
Print Magazine, USA, Regional Award, 2006
TAMGA, International Trademark Contest 2005, Honorary mention
AXA Award, Nomination, 2005
Type Directors Club of New York, 2005, 3 Certificates of Typographic Excellence
ISTD, International TypoGraphic Awards 2004, Winner: Overall TypoGraphic Award, 2 Premier Awards & 2 Certificates of Excellence
The Danish Design Prize 2004, Visual Identity, Winner, Nørrebro Brewery — in collaboration with Punktum Design
Design Week Awards 2004, Temporary Exhibition Design, Winner, Turner Prize 2002
Design Week Awards 2004, Poster Design, Winner, Teaching Posters
Design Week Awards 2004, Editorial Design, Nomination, Apparition, The Action of Appearing
Type Directors Club of New York, 2004, 1 Certificate of Typographic Excellence
The Consort Royal Graphic Design and Print Awards 2003, 2 Gold Awards, 1 Overall Gold Award (London region)
Art Directors Club of New York, 2003, 1 Distinctive Merit Award, Exhibition design 2003
Type Directors Club of New York,2003, 2 Certificates of Typographic Excellence
Danish Design Centre, The Danish Design Prize 2002, 1 Nomination, Identity Scheme
Communications Arts Design Annual 2002
D&AD, Design & Art Direction 2002 — 1 Silver Nomination, Identity Scheme
Danish Design Centre, The Danish Design Prize 2001, 1 Nomination, Identity Scheme
Consort Royal Awards 2002 — 2 Silver Awards, Corporate Literature & Miscellaneous
ADCNY, Art Directors Club New York 2002 — 1 Distinctive Merit & 1 Merit Award, Identity Schemes
ISTD, International TypoGraphic Awards 2001— 2 Premier Awards & 3 Certificates of Excellence
ADCNY, Art Directors Club New York 2001 — 1 Distinctive Merit Award, Editorial Design

Scott Williams and Henrik Kubel are members
of Alliance Graphique Internationale, AGI




Extraordinary Stories about Ordinary Things, 2013
Design Museum, London
Exhibition identity, applied graphics and typeface design*
Exhibition design by Gitta Gschwendtner
*New Transport typeface developed in collaboration with Margaret Calvert



Talk to Me – Design and the Communication between People and Objects, 2011
Museum of Modern Art, MoMA, New York
Art Direction, bespoke typefaces and design







The World in London, 2012
The Photographers' Gallery, London
Oxford Street and Victoria Park
Graphic identity, bespoke typeface and design



www.olejensendesign.com, 2008—
Denmark, Copenhagen
Art Direction, bespoke typeface and design



The New York Times Book Review, February 2012, July 2012
New York Times, New York
Commissioned by Art Director: Nicholas Blechman
Bespoke typefaces, design and illustration



The Penguin Book of Modern Speeches and The Penguin Book of Historic Speeches, 2012
Penguin Press UK, London
Cover Design and bespoke typefaces



Royal College of Art Annual Review, 2011
Royal College of Art, London
Art Direction, bespoke typefaces and design





A2-TYPE specimen
Recent typefaces for commercial use, 2011
A2-TYPE, London
www.a2-type.co.uk
Bespoke typefaces and design



Joseph Roth, A Life in Letters, 2012
Granta, London
Cover design and bespoke typeface



Sven Lindqvist, 2012
Granta, London
Cover designs and bespoke typeface




Joseph Roth, book series, 2013—
Granta, London
Cover design and bespoke typefaces



Copenhagen Ceramics, 2012—
www.copenhagenceramics.com
Copenhagen Ceramics, Denmark
Graphic identity, bespoke typeface and design



What to Eat?, 2012
Portobello Books, London
Cover design, bespoke typefaces and illustration



Wallpaper*, Handmade cover, 2012
Wallpaper*
Design and illustration







Turner Prize Exhibition design, 2002—07
Tate Britain, London
Spatial design, applied graphics and print campaign

agnes b. SELECTS, j'aime le cinéma anglais!, 2007
Tate Modern, London
Film and events poster



Europa, 2005
Tate Modern, London
Film and events poster



Marlene Redux: A True Hollywood Story (part one), 2006
Tate Modern, London
Film and events poster



Robert Frank, 2005
Tate Modern, London
Film and events poster



Italian King of the B's, 2006
Tate Modern, London
Film and events poster


Samuel Beckett, complete works, 2009—2010
Faber & Faber, London
Cover design & bespoke typefaces






Ergonomics — Real Design, 2009—2010
Design Museum, London
Exhibition identity, applied graphics and brochure including bespoke display typeface
Exhibition design by Michael Marriot
Photography by Luke Hayes & A2/SW/HK


The New Décor, 2010
Hayward Gallery, London
Art Direction, bespoke typeface and design
Cover typeface: Flash by Edwin W. Shaar, Linotype





New Rail Alphabet, 2009
A2-TYPE, London
Typeface in 6 weights; Off White, White, Light, Medium, Bold & Black + Corresponding Italics
Designed in close collaboration with Margaret Calvert
www.newrailalphabet.co.uk



Phil Collins: 'the world won't listen', 2007
Dallas Museum of Art, USA
Art Direction, bespoke typefaces and design


Ian Fleming's James Bond, 2008
Royal Mail, UK
Set of six stamps, miniature sheet design and bespoke typeface




Astronomy Stamps, Europe, 2009
Danish Post, Denmark
Illustration, design & bespoke typeface

  FaulknerBrowns Architects Brand identity, 2007/08
FaulknerBrowns, Newcastle, UK
Brand identity including bespoke typefaces
optimised for screen


Psycho Buildings, 2008
Hayward Gallery, London
Art Direction, bespoke typefaces and design



Cold War Modern, Design 1945—1970, 2008
V&A Museum, London
Art Direction, bespoke typefaces and design


Intervention/Decoration, 2008
Foreground, Frome
Visual identity, bespoke typefaces and design




Laughing in a Foreign Language, 2008
Hayward Gallery, London
Art Direction, bespoke typefaces and design




Jane & Louise Wilson, 2008
Quad, Derby, UK
Art Direction, bespoke typefaces and design






Lisson Gallery, 2008—2011. Party invites



Lisson Gallery, 2008—2012
Lisson Gallery, London
Redesign of existing identity including guidelines for
all office documents, private view cards, advertisements,
e-newsletters, signage & publications



Afterall, 2003—
Afterall, London and Los Angeles
Art Direction, bespoke typefaces and design


One Work, 2006—
Afterall Books, London and The MIT Press
Art Direction, bespoke typefaces and design




Hogarth, Links and Legacy, 2007
Tate Britain, London
Information graphics






Eyes, Lies + Illusions, 2004
Hayward Gallery, London
Concept, exhibition design and bespoke typefaces



Radical Fashion, 2001
V&A Museum, London
Design and bespoke typefaces





The Nature of Photographs, 2007
Phaidon Press
Design and bespoke typefaces




Zadie Smith: On Beauty, 2005—06
Penguin Books, New York
Hardback and paperback cover designs including bespoke typefaces



Multiplication, 2001
British Council, London
Design and bespoke typefaces



Fabric of Fashion, 2001
British Council, London
Art Direction, bespoke typefaces and design



Recognition, 2004
Arnolfini, Bristol
Design and bespoke typefaces





Typography Workshop Posters, 2000—06
Buckinghamshire Chilterns University College
Poster designs (40+ in the series)






Summer of Love: Art of the Psychedelic Era, 2005
Tate Liverpool
Art Direction, design and bespoke typefaces





1508 visual language, 2001
1508 A/S, Denmark
Concept, development of name, design and bespoke typefaces


Bad Behaviour, 2004
Hayward Gallery, London
Design and bespoke typefaces





Dan Fern, Walks With Colour, Recent Works on Paper, 2006
England and Co, London
Design and bespoke typefaces



Cubitt identity, 2001—
Cubitt Artists Limited, London
Concept, design and bespoke typefaces



KUNSTUFF magazine, 2004—ongoing
Danske Kunsthåndværkere, Denmark
Concept, design and bespoke typefaces






Nørrebro Bryghus visual language, 2005
Nørrebro Bryghus, developed in collaboration with Punktum Design, Denmark
Concept, design of beer labels, signage and bespoke typefaces



All images and content
© A2/SW/HK, Scott Williams & Henrik Kubel

A2/SW/HK + A2-TYPE
London, UK
T +44 (0)20 7739 4249
info@a2swhk.co.uk