A2/SW/HK + A2-TYPE

Pink Genesis, David Benjamin Sherry, 2022

Aperture Foundation, New York
Book and typeface design

Copenhagen Ceramics, 2016

Copenhagen Ceramics, Copenhagen
Book and typeface design

After Life, 2004

Simon Morrissey and The Bowes Museum, UK
Catalogue and typeface design

Jasper Johns: Mind/Mirror, 2021

Whitney Museum of American Art, New York
and the Philadelphia Museum of Art
Exhibition catalogue and typeface design

Kwame Brathwaite: Black Is Beautiful, 2019

Aperture Foundation, New York
Book and typeface design

Flux Luminous: Astrid Krogh, 2016

Strandberg Publishing, Copenhagen
Book and typeface design

Samuel Beckett: Complete Works, 2009–10

Faber & Faber, London
Book cover and custom typeface design
Portrait of Samuel Beckett by Jane Bown, 1976

Ole Jensen: Design Manual, 2020

Ole Jensen
Catalogue and typeface design

Aperture magazine, 2012–ongoing

Aperture Foundation, New York
Magazine redesign, art direction and typeface design

Reg.Modn specimen, 2020

A2-TYPE, London
Art direction, specimen and typeface design

Aperture Conversations, 2018

Aperture Foundation, New York
Book and typeface design

Bad Behaviour, 2003

Hayward Gallery, London
Catalogue and typeface design

Space magazine, 2016–ongoing

Derwent London
Art direction, magazine and typeface design

The World in London, 2012

The Photographers’ Gallery, London
Identity and outdoor exhibition design

Afterall Journal, 2002—15

Afterall, London
Art direction, magazine and custom typeface design

New Perspectives in Typography, 2015

Laurence King Publishing, London

Edited by Scott Williams and Henrik Kubel
Art Direction, book and typeface design

Moscow Metro, 2014—15

Commissioned by City ID, Moscow Department of Transport (2014)

Moscow Sans – A custom typeface in 4 grades
with a set of 40 unique pictograms.
Art direction and design: A2-TYPE, Scott Williams & Henrik Kubel
with Margaret Calvert as type and pictogram consultant.
Cyrillic Script designed in collaboration with Ilya Rudermann.
Product design by BillingsJackson

Multiplication, 2001

The British Council, London
Catalogue and typeface design

Nigel Poor, The San Quentin Project, 2021

Aperture Foundation, New York
Book and typeface design

Fabric of Fashion, 2000

The British Council, London
Exhibition catalogue and typeface design

Lisson Gallery, 2007–2012

Lisson Gallery, London
Identity, campaign art direction and catalogue design

Bend, Bubble and Shine, 2021

Copenhagen Ceramics, Copenhagen
Exhibition catalogue and typeface design

Intervention/Decoration, 2008

Foreground, Frome
Identity and typeface design

FaulknerBrowns Architects identity, 2008

FaulknerBrowns Architects, Newcastle
Brand identity and typeface design

Radical Fashion, 2001

V&A Museum, London
Exhibition catalogue and typeface design

Tate Modern Film Posters, 2004–07

Tate Modern, London
Poster design

Phil Collins: The World Won’t Listen, 2008

Dallas Museum of Art, US
Catalogue and typeface design

Turner Prize Exhibition, 2002–07

Tate Britain, London
Reading room and exhibition design

Apparition: The Action of Appearing, 2002

Arnolfini Gallery, Bristol, UK
Exhibition catalogue and typeface design

Ergonomics – Real Design, 2009

The Design Museum, London
Exhibition and typeface design

A23D: 3D-printed Letterpress typeface, 2015

New North Press, London
Custom typeface and poster design

Zadie Smith: On Beauty, 2005–06

Penguin Books, New York
Book cover and custom typeface design

Extraordinary Stories about Ordinary Things, 2013

Design Museum, London
Exhibition identity and typeface design
Exhibition design by Gitta Gschwendtner

The Nature of Photographs, 2007

Phaidon Press, London
Book and typeface design

Ceramic Momentum: Staging the Object, 2019

Copenhagen Ceramics, Copenhagen
Exhibition catalogue and typeface design

The New Décor, 2010

Hayward Gallery, London
Catalogue and typeface design

LargePoint specimen, 2021

A2-TYPE, London
Art direction, specimen and typeface design

Summer of Love: Art of the Psychedelic Era, 2005

Tate Liverpool, UK
Catalogue and typeface design

Jane & Louise Wilson, 2008

Quad gallery, Derby, UK
Catalogue and typeface design

Afterall One Work book series, 2006—

Afterall Publishing, London, UK
Book and typeface design

The Penguin Book of Modern and Historic Speeches, 2012

Penguin Books, UK
Book cover and typeface design

Eyes, Lies + Illusions, 2004

Hayward Gallery, London
Exhibition and typeface design

Biennale for Craft and Design, 2015

Danish Crafts, Denmark
Exhibition catalogue and typeface design

Psycho Buildings, 2008

Hayward Gallery, London
Exhibition catalogue and typeface design

RCA Annual Review, 2010/11 & 2011/12

Royal College of Art, London
Art direction, publication and typeface design

TypoGraphic 60, 2003

International Society of Typographic Designers, UK
Magazine and typeface design

Prints Now, 2006

V&A, London
Book and typeface design

Cold War Modern: Design 1945–70, 2008

V&A Museum, London
Catalogue and typeface design

Santiago Sierra, 2016

Lisson Gallery, London
Catalogue and typeface design

Laura Stamer, Reflecting Home, 2015

Laura Stamer, Copenhagen
Book and typeface design

Responsibility Report, 2016–2020

Derwent London
Art direction, report and typeface design

RCA Curating Contemporary Art, 2012

Royal College of Art, London
Catalogue and typeface design

All images and work shown © copyright A2/SW/HK Limited,
Scott Williams & Henrik Kubel, unless stated otherwise.